Showing posts with label The Little Mermaid. Show all posts
Showing posts with label The Little Mermaid. Show all posts

Tuesday, July 6, 2021

Story Snippet: The Last Will and Testament of Captain Nemo (Mary)

 Here in the height of summer, most people find their thoughts (if not their actual bodies) drifting to the pool or the beach. For my part, I just got back from a much-needed trip to the river and it was SO refreshing.

Which got me to thinking about water, and I decided that for this episode of Story Snippets I would share an excerpt from my nautical fantasy novelette, The Last Will and Testament of Captain Nemo - a mashup of 20,000 Leagues Under the Sea and Hans Christian Andersen's The Little Mermaid.

***

Close by the Rackliffe estate was a stretch of beach where, Eyrál knew, the younger Lord Rackliffe was wont to go riding in the early mornings. It was to this place that she travelled, and waited until just before dawn to swallow the witch’s draught.

How the transformation took place, she never knew. Upon swallowing the draught she found her vision distorted, her ears pierced by a deafening ringing, and her senses scattered by an overwhelming dizziness. In this condition she lay on the sand, unknowing, until Lord Rackliffe did indeed happen upon her.

He saw her lying senseless, still half in the water, and drew the natural conclusion that she was the victim of a shipwreck, as he himself had so recently been. Upon discovering that she still lived, but being unable to rouse her, he lifted her in his arms and began carrying her back to his father’s house, utterly unaware that in his arms he bore the woman to whom he owed his life.

Into this situation, Eyrál awoke: borne in the arms of the man whom she had spent the last months loving from afar. And in that moment, her love for him grew deeper still, and she leaned her head on his shoulder and rested in her love and his nearness.

Lord Rackliffe, for his part, took Eyrál back to his father’s house and saw that she received the ministrations appropriate to the circumstance of a shipwrecked woman. His efforts to ascertain her name, as well as every other line of questioning or conversation, were met only with silence, for the Mer speak a language unique to them. Eyrál understood not a word that was spoken by Lord Rackliffe or any of his household, and dared not speak a word in her own tongue for fear of betraying her identity. Instead, she maintained an unbroken silence until those around her reached the consensus that she was a mute.

As she had in the way of worldly possessions only the sharkskin garment she had been wearing when she swallowed the witch’s draught, a wardrobe was provided for her. As she had never before possessed human legs or feet, she found walking both painful and difficult. This was easily explained in the minds of her hosts, who believed she simply needed time to convalesce. She mastered her newfound limbs quickly, however, and within a few days was walking well, though her feet remained tender and delicate.

Over the span of her convalescence, Lord Rackliffe grew fond of her as one would of a foundling dog, and treated her as one, but so hopelessly in love was she that she suffered all without complaint—even with gratitude! When he had her dressed as a pageboy so that no one would question her accompanying him on hunting trips, she complied with a naïve sweetness that only made his behavior more repulsive by comparison. When he placed a cushion on the floor outside the door to his private rooms for her to sleep on at night—as if she, a princess of the Mer and the savior of his very life, were truly nothing more than a favored dog!—she accepted all with gladness.

Her sweetness of temper and beauty of spirit made her a favorite among everyone in the Rackliffes’ household, from the Lord and Lady to the lowliest servant. However, if she believed that her perfect devotion and saintly submission to Lord Rackliffe’s unforgivable cruelty would win his love, she was sadly mistaken. While she slept on her cushion outside his door and accompanied him on his hunts and attended his lavish shipboard parties, his affections were being lost to another: the temple maiden who had discovered him on the beach where Eyrál had dragged him after the sinking of his ship.

A few months after Eyrál’s arrival, an announcement was made of the younger Lord Rackliffe’s engagement to that same temple girl, the daughter of a wealthy and influential Egyptian businessman. Arrangements for the wedding were made, a grand celebration aboard Lord Rackliffe’s finest ship was planned, and of course, Eyrál was invited.

The Mer princess knew full well that Lord Rackliffe’s impending marriage would mean her death, thanks to the sea-witch’s spell, and her heart broke at the realization that the man for whom she had sacrificed everything—for whom she was about to give her life!—shared nothing of her devotion. And yet so great was her love of him, and so good was her heart, even in the face of losing both love and life, that she held up her head, smiled upon Lord Rackliffe and his new bride, embraced them both to show her goodwill, and danced with more joy and abandon than any of the other guests at the celebration.

The wedding night came. The guests, weary from their revelry, retired to their cabins. Lord Rackliffe and his bride withdrew to the tent that had been erected for them in the middle of the ship. Only the night watchman and Eyrál still stirred.

As she stood at the bow of the ship, a cry came to her from the sea. Her sisters, distressed by her rash and vain pursuit of the prince, had themselves gone to the sea-witch to seek a counter-spell, one that would allow their sister to return to her life among the Mer. The witch had granted their boon in the form of a knife. If Eyrál were to use this knife to slay the prince before the approaching sunrise brought her death, her Mer form would return to her and she would be free to rejoin her sisters.

Pained by their mournful entreaties, Eyrál accepted the knife her sisters offered and stole into the tent where Lord Rackliffe and his bride blissfully slept in each other’s arms. But so great was her love, so good was her heart, that even in the face of her own destruction she could not take his life.

She returned to the bow of the ship and looked down to where her sisters eagerly waited. But to their dismay, she cast the knife from her and withdrew to the center of the ship, away from their sight so that she might not inflict upon them the pain of witnessing her end.

The sky colored, the sun rose, and yet Eyrál did not die as she had anticipated. No, indeed, for the witch’s spell had not required the love of Lord Rackliffe himself; it had only required the love of a human—and there was a human on board that ship who loved her with body, heart, and soul: myself.


***

I hope you enjoyed this excerpt! If you'd like to read the rest of the story, you can find it here.

Friday, June 5, 2020

Weekend Reads: Selkie's Song (Laurie)

We made it to the weekend! This is an especially significant weekend for me since my kiddos just finished up virtual learning for the year. Bring on summer vacation!

And speaking of summer, I thought a perfect Weekend Read to share this week would be Selkie's Song by our own Kimberly A. Rogers! This was a creative, romantic retelling of "The Little Mermaid" that I absolutely loved! Not surprisingly, it takes place by the sea, so it's perfect reading material for those trips to the beach :)


In Selkie's Song, Naia is treated as a bit of an outcast due to her unusual appearance and her interest in human pastimes such as gardening and crafts. When her pelt is stolen and she finds herself the guest / prisoner of a misguided prince, Naia must fit in as best she can with human society while figuring out how to return to her people. Malik, the ruler of Naia's selkie clan, risks his position and the wrath of his fellow selkies to rescue her. But the root of Naia's captivity turns out to be much more complicated than a lovesick prince, and Naia and Malik must work together to return Naia home before it's too late to save her and their entire clan.

Did I mention this retelling was creative? I don't want to give too much away, but the dynamic between Naia and the prince and Vanessa (the girl he was supposed to marry before he got distracted by his fascination with selkies) was just such a clever twist! The romance was slow and sweet with lots of swoon-worthy moments that made me grin :) I really enjoyed learning about the selkies' society and the relationships between the different kingdoms. Naia and Malik were each characters I wanted to root for right from the start and developed in meaningful ways over the course of the story, and the secondary characters were fun and complex with a few surprises of their own! I would definitely recommend Selkie's Song to fans of fairy tale retellings, and I'm looking forward to reading more of the series!

Have you read any good fairy tale retellings lately? What is your favorite Little Mermaid retelling?


Have a great weekend!
Laurie

Friday, March 27, 2020

Weekend Reads: Brine and Bone by Kate Stradling (Sarah)



I’m a huge fan of fairy tale inspired stories and retellings. That said, The Little Mermaid has never ranked among my favorite tales. While the themes are meaningful, the plight of the mermaid in the original tale is a tragic one. And I’ve only ever seen bits and pieces of the Disney movie, perhaps the most well-known variant of the story.

So it’s saying a lot that I actually picked up Brine and Bone, Kate Stradling’s version of The Little Mermaid—and that I ended up thoroughly enjoying it! Brine and Bone offers a hope-infused retelling with an original stamp that still remains true to the key elements of Andersen’s tale.

Instead of a mermaid protagonist, Stradling presents Magdelina, a healing magician with a prickly personality, who has known and loved the prince since childhood, but harbors no hope of him ever returning her affection. When he disappears at sea, the kingdom goes into mourning.

After all expectation of his recovery is lost, Magdelina finds the prince washed up on shore and helps restore him back to health. But she soon discovers there’s a mystery surrounding his survival, one that may threaten him still. When an enchanting newcomer appears at the palace, her suspicions are roused, and she’s determined to protect her friend from the snare laid for him. But how, with dark and powerful magic arrayed against her?

The mermaid in this tale far more closely resembles that of classic folklore than the enchanting mer-creatures featured by Disney. She’s an eerie, at times even frightening figure, but one that in the end wins some sympathy. She has her own redemptive road to travel—or not—as she chooses, right alongside Magdelina.

While only novella length, the story grapples with the concepts of love, immortality, and sacrifice. And it all winds together in a satisfying way, touched by sorrow, yet on the whole uplifting.

Are you a Little Mermaid fan? Do you have any retellings you’d recommend?

Friday, January 3, 2020

Weekend Reads: The Beast of Talesend (Beaumont and Beasley series) by Kyle Robert Shultz (Lizzie)

Happy New Year! I'm excited to start off Lands Uncharted 2020 posts with a review of a fabulous series. (I am also excited to publish this post on time--on Friday--since I'm used to our old Saturday posts.) When Laurie mentioned I had a similar sense of humor to fellow author Kyle Robert Shultz, I naturally decided to check out his books. As a writer and reader of fairytale retellings, I chose The Beast of Tales End (Beaumont and Beasley Book #1). The verdict: Laurie was right, of course.

These are definitely not your typical fairy tale retellings but are a delightful mix of 1920s detective story, Britishness, adventure, screwball comedy, and fairytales and mythologies turned inside out. You get a feel for the humor and strong character voice simply by reading the book blurbs, and, happily, the books don't disappoint. There are several stories in the Beaumont and Beasley series, and I've read the first two and a short story and am looking forward to reading more.

The Beast of Tales End: After Beauty and the Beast (Beaumont and Beasley Book #1)

Detective Nick Beasley makes his living (or tries to make his living, anyway) by cleverly explaining away all episodes of "magic and monsters." Until the day he gets turned into a monster himself, a beast to be exact. Not The Beast, of course, since that individual, Nick quickly discovers, lived a long time ago and wouldn't be recognizable as Beast from the beloved but utterly wrong fairy tale. But Nick is still a beast, at least until Lady Cordelia Beaumont can un-curse him. And that is where things get really complicated.




Where Nick Beasley used to be a pretty impressive detective, he's now a pretty impressive beast. He's had to put his impressive detective persona on hold since he's currently running for his life with the beautiful and dangerous enchantress who cursed him and his younger brother. Since hiding in a magic school for villains is obviously the best  place to hide from villains, the three go to the Warrengate Academy of Advanced Magic, which happens to be quite close to the sea where the Little Mermaid episode occurred. And since The Little Mermaid story was just as distorted as the Beauty and the Beast tale, things get dangerous pretty fast.

But what's dangerous for Nick, Cordelia, and Crispin happen to be fun for readers, so I highly recommend the Beaumont and Beasley series.

Have you read any of Kyle Robert Shultz books? Do you like your fairy tale retellings close to the original version or the Disney version, or turned on their heads?