When I saw the blog schedule, I knew I was in trouble.
My name was on February 2nd, when I was going to
post, and underneath it were the words: On Writing.
I’d been dreading this
topic for a while. After all, I’m a fairly inexperienced writer with no publishing
experience, and after reading my friend Hannah’s fantabulous
post on fantasy world building, I knew the bar had been raised high. I could try to jump, but
I was pretty sure I’d trip over the hurdle instead.
So, I prayed about it and wrote down a few topics. After
murmuring a thanks heavenward, I asked, “Okay, God, now which one of these
topics do I write about? Which of these topics has the information that someone
needs?” The earth didn’t quake. No lighting split the sky. No ominous, booming
voice revealed the answer. Just sitting makes me restless. As one of my
stocking stuffers for Christmas, I’d gotten a big coloring poster. I started
coloring it a bit at a time when I wanted to do something spontaneous or relax
while listening for God.
I recently finished listening to the recording of the Continuing Education, The Wildness of Writing With God,
which is from the 2015 ACFW conference, so this was part of my effort to create
with God. As I finished shading a few pink bubbles, inspiration (or God) hit
me. I’d also been listening to Kristen Heitzmann’s
Continuing Education, Keys to Compelling Stories for the third time. (On
a side note, the
recordings of the ACFW conference
are an awesome value. The Continuing Education sessions alone are over 27 hours
worth of writing information. If you can buy one or save for a recording, it’s
so worth it!) The last topic in the recording I’d listened to was Characters that Connect. Kristen Heitzmann was saying how everyone experiences temptation and
attraction, how you want a faith struggle in your story, and how you should
write in a way that can appeal to non-Christian readers. I wrote a little note
that says:
Shadows add depth. So, all these events (the Christmas stocking
stuffer, the Continuing Education sessions) collided into one post
:)
Sorry for the lengthy introduction, but I felt that it was
necessary to include that. Here’s the before and after picture of a leaf on my
poster:
At first, I drew the leaf with really light shades of green,
but instead of making the leaf appear full of light, it looks washed out, flat,
lifeless. It’s still a passable leaf, but it’s certainly not noteworthy.
Even though I have rather amateur shading skills, the shaded
leaf is much more eye-catching. It has the same colors and only subtle changes,
but the difference gives this leaf depth and vibrancy. So, what’s changed?
Of course, you already know the answer. One leaf is shaded,
one is not. I think we can apply this same concept to our characters. No one
wants to follow a perfect character on their journey. We can’t understand or
relate to perfection, and who doesn’t love the
nitty, gritty conflict found in good stories and, to a lesser extent, everyday
life? Conflict doesn’t only draw the reader in; it gives them strength and
answers. It gives them something they can take away from the story and carry
with them for the rest of their lives. As silly as it sounds, I often find that
I push myself physically using fictional characters as an example.
If Parvin can face wolves and exile, I can finish
this jog. In essence, the conflict within your characters is the message of
your story.
Someone who’s 100% perfect has no need for God, and someone
who’s 100% evil has no want for God. While it might be nice to have a character
that’s a perfect Christian, it doesn’t really help us. Having a perfect
character eliminates the need for a faith struggle. Look back at the leaves
again. You can see where the source of light is coming from on the shaded leaf,
but not on the un-shaded leaf. Shadowing allows you to see the source of the
light. By having some darkness in our stories and characters, we’re giving God a
chance to shine. You can’t really see where the light’s coming from at all
unless you have a few shadows for contrast. We’re born imperfect, incomplete…
and—I can’t believe I’m saying this—but I’m glad. Without some sort of hole
inside of me, I wouldn’t have a place for God to fit. He’s my missing puzzle
piece.
We should show that absence in our stories. We’re not spreading or
encouraging darkness by doing so, we’re just leaving room for God.
Now, this is great and all, but it’s easier said than done.
Even though shadowing is a subtle change, that doesn’t mean it’s an easy
change. You have all of this information, but how can you apply it?
First of all, start with
the characters. Do all of them have realistic flaws? Do you show that struggle
internally and externally? Do your villains have likable traits? Do they have
soft spots? If you find a character lacking, you can either add flaws/likable
traits as necessary, or you can check out
The Negative Trait Thesaurus and
The PositiveTrait Thesaurus. Both have great advice on adding depth and certain
traits to your character.
 |
The Negative and Positive Trait Thesaurus
(The cover isn't actually like this, of course. I
merged the covers to make the picture more fun :) |
Aim to give your character more flaws than their lie
requires, maybe even an extra lie. I’ve found that this is great if you’re
going to do a series and need your character to have more than one arc. Aside
from characters, you can also shadow descriptions and settings.
Again, don’t
make anything all good or all bad. If something appears beautiful, be realistic
and point out a few flaws. If something is hideous, look for the pinpoints of
light. Doing this will make the light brighter and the dark darker. We call
this
juxtaposition, which is something I’m
still trying to master.
Now you guys know how shadowing makes characters realistic
and relatable, how it leaves room for God to shine, and how to apply the
technique. I hope you’ve gained something from this post—I know I have. From
this point forward, I, Elizabeth Newsom, shall no longer fear blog posts On
Writing. In fact, I’m looking forward to the next one. I can’t wait to see what
God has to tell me and what creative methods he’ll use to reach me.
Are there any characters in your stories that could use some
shadowing? Do you know of a character in a book/movie that could use shadowing?
What are some of your favorite likable traits and flaws in a character? How are
you going to use juxtaposition in your writing?
Hope this helps!
-Elizabeth
Attributions:
Hurdle photo credit: <a href="http://www.flickr.com/photos/70145217@N07/6940744046">2012 Jaguar Invitational</a> via <a href="http://photopin.com">photopin</a> <a href="https://creativecommons.org/licenses/by-nc-nd/2.0/">(license)</a>
Puzzle Piece photo credit: <a href="http://www.flickr.com/photos/58020577@N06/5542920908">Piece of a jigsaw</a> via <a href="http://photopin.com">photopin</a> <a href="https://creativecommons.org/licenses/by-nc-sa/2.0/">(license)</a>
The Positive Trait Thesaurus Photo: http://www.amazon.com/The-Positive-Trait-Thesaurus-Attributes-ebook/dp/B00FVZDVS2
The Negative Trait Thesaurus Photo: http://www.amazon.com/The-Negative-Trait-Thesaurus-Character-ebook/dp/B00FVZDZ6K/ref=pd_sim_351_1?ie=UTF8&dpID=51U6e%2BUIcEL&dpSrc=sims&preST=_AC_UL160_SR112%2C160_&refRID=0QEVXWY2W39RG3XC9S1G